3 Steps to Perfect Stamping
Rubber stamping sounds so easy. You buy a stamp, infuse ink on it, and hip hop it on the paper, correct? Wrong!
You may find your pictures smudge, twist, or appear a bit blobby with this approach to stamping. That’s not usually what such a stamper wants. Well, I will tell you the little secrets of creating stamped images you might not have seen before. However, let’s start a couple of measures before you start stamping. First, let’s go through the quality of the stamp plus the type of ink you will get. Key facts On where to buy stamps.
Before buying your stamp, you must examine the rubber or acrylic and decide if it is carefully chiseled. A good stamp will be created from a firmer, high-quality silicone or acrylic, and the photo will be finely and profoundly cut. If you buy a press that is softer and less effectively defined, that is the type of photo you will get from it, regardless of your technique.
Now consider the tattoo you want to use. There are a few basic types of inks, and everyone gives you a different influence. There are dye-based, color-based, and permanent fabrics along with embossing inks. Which one can produce the result you want? Below are some ideas about how to choose between these people:
Dye-based inks are generally water-based, so they answer water, paint, or maybe other moisture by smudging. They typically stain the paper, so if you want to shade your stamped images somehow, don’t choose dye-based ink. If you want a quick drying tattoo or crisp images you don’t want to color or adjust in any way, choose structured dye inks. You will also get a less demanding color with structured dye inks. You can usually find this new type of ink off your rubber with water, but do not saturate and therefore warp just about any stamps mounted on wooden hindrances.
Pigment inks are also normal water-based but are made in another way than dye-based ink. They have little particles involving color, so they are generally brighter than dye ink and are less likely to smudge. They are best used on matte paper. When you use glossy cardstock, they will smudge if touched. They also have much more to dry so that you can put embossing powder on them, and high temperatures set that.
A permanent tattoo is just that – a fast setting, water-resistant ink. You can stamp on many areas with the glossy document, glass, acetate, or even wooden or paint. Once in position and dry, the image can there be to stay. This type of ink will even stain your stamp until you use the specially made long-term ink cleaner solution that can always be found on the shelf at the shop next to the permanent ink.
Fabric ink is made for rubber stamping on fabric, and you will most likely need to ‘set’ it through ironing over it once you have placed your image. You can also use material ink in other areas (such as on chipboard). It is semi-permanent printer ink so use a stamp cleanser to avoid staining your stamps.
Embossing inks are stickier and take longer to dry up, making them perfect for catching and holding on to embossing powders. Try to be careful not to touch a good embossed image till it is often heat set or it is going to smudge. If you stamp upon colored cardstock with crystal clear embossing ink, your picture will be two tones darker than the document’s color. You’ll also need a stamp cleaner for this type of ink.
FINE. Once you have chosen your tattoo, you are ready to start stamping. The three secrets for crisp, obvious images are:
- Place your stamp face-down on your tattoo pad, and tap the idea on the pad. Avoid forcing the stamp into the tattoo pad as you will discover too much ink about the stamp, which could make your images smudged or imperfect. Instead, turn the stamp over to see if all image areas are evenly inked. Or, turn the stamp confront down again and tap it on the ink bed until it is properly inked up.
- Turn your press over again and hold the idea firmly in your two arms by the edges. Lower the idea onto your paper as direct as you can. Press the press in the middle with a finger, and subsequently press around the edges of the image to be sure all of the photos have had contact with the report. Be careful not to hit so hard that you tilt or maybe buckle the stamp.
- Up coming, carefully and smoothly elevate the stamp straight up in the paper, avoiding tilting or twisting the stamp.
You ought to have a clean, crisp, total image!
More stamping suggestions:
If you have a large seal of approval, turn it face up on your table. Tap the printer ink onto the stamp, examining to be sure it is all correctly inked up. You may find you obtain a better result if you place your paper on the stamp and carefully smooth it with your hand before lifting the paper straight up and from the stamp. This way, you prevent any ‘missed’ spots brought on by imperfections on the surface of the large stamp.
Do attempt to clean your stamps before the ink dries on them. Using a stamp cleaner will problem the rubber and maintain the caliber of the images.
Now you know three steps to perfect stamping. Excellence can be achieved if you practice these types of steps. Of course, it could take a little practice before you consistently obtain perfect results, but the period you may spend doing it is worth it!